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Giving Offense: Essays on Censorship, by J. M. Coetzee
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Winner of the 2003 Nobel Prize in Literature.
J. M. Coetzee presents a coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays collected here attempt to understand the passion that plays itself out in acts of silencing and censoring. He argues that a destructive dynamic of belligerence and escalation tends to overtake the rivals in any field ruled by censorship.
From Osip Mandelstam commanded to compose an ode in praise of Stalin, to Breyten Breytenbach writing poems under and for the eyes of his prison guards, to Aleksander Solzhenitsyn engaging in a trial of wits with the organs of the Soviet state, Giving Offense focuses on the ways authors have historically responded to censorship. It also analyzes the arguments of Catharine MacKinnon for the suppression of pornography and traces the operations of the old South African censorship system.
"The most impressive feature of Coetzee's essays, besides his ear for language, is his coolheadedness. He can dissect repugnant notions and analyze volatile emotions with enviable poise."—Kenneth Baker, San Francisco Chronicle Book Review
"Those looking for simple, ringing denunciations of censorship's evils will be disappointed. Coetzee explicitly rejects such noble tritenesses. Instead . . . he pursues censorship's deeper, more fickle meanings and unmeanings."—Kirkus Reviews
"These erudite essays form a powerful, bracing criticism of censorship in its many guises."—Publishers Weekly
"Giving Offense gets its incisive message across clearly, even when Coetzee is dealing with such murky theorists as Bakhtin, Lacan, Foucault, and Ren�; Girard. Coetzee has a light, wry sense of humor."—Bill Marx, Hungry Mind Review
"An extraordinary collection of essays."—Martha Bayles, New York Times Book Review
"A disturbing and illuminating moral expedition."—Richard Eder, Los Angeles Times Book Review
- Sales Rank: #872526 in Books
- Published on: 1997-11-08
- Released on: 1997-11-08
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .80" w x 5.50" l, .83 pounds
- Binding: Paperback
- 297 pages
Amazon.com Review
In this collection of eight essays, South African novelist J. M. Coetzee examines the complexities of censorship beyond the model of villainous censor and victimized artist. Having lived in a police state, Coetzee's experience is that "the same censors patrol the boundaries of both politics and esthetics." By contrast, in the United States, the way for artists to get away with representations that some find offensive or forbidden is to argue that their work has some political worth. Though Coetzee admits he doesn't know what to think of artists who "break taboos and yet claim protection of the law," he remains committed to free speech, conscious of how easily oppressive righteousness can rear its viscous head.
From Publishers Weekly
In South African novelist Coetzee's intriguing theory, censorship arises out of a paranoid mentality when a dominant class, church or state, lashing out in fear from a sense of latent powerlessness, suppresses a writer or artist whose truth-telling gives offense. He buttresses his argument by discussing Russian poet Osip Mandelstam, arrested in 1934 and commanded to compose an ode in praise of Stalin, and South African poet Breyten Breytenbach, imprisoned in 1974 and forced to repudiate his poem that condemned political execution and torture. The battle with the censor invades the writer's psychic life, as Coetzee demonstrates in his analysis of Alexander Solzhenitsyn's skirmishes with the Soviet state, leading to his exile in 1974; Polish poet Zbigniew Herbert's fight against Stalinist repression; and humanist satirist Erasmus's battle with Luther and the papacy. Coetzee implicitly rejects feminist Catharine Mac-Kinnon's antipornography stance ("her heart lies with the censors"). These erudite essays form a powerful, bracing critique of censorship in its many guises.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
South African writer Coetzee (Master of Petersburg, LJ 9/1/94) promises a compelling collection of essays of the nature of political censorship in literature. However, this book falls short of that promise, delivering instead an overly erudite and dense dissection of the major works of frequently censored literature. To his credit, the collection of works Coetzee has amassed is impressive?from Lady Chatterly's Lover to Catherine MacKinnon's antipornography treatises, for example. His essay "Apartheid Thinking" is an important summary of a particularly painful chapter in the history of political censorship. Yet there is little here a general reader would find fresh or interesting. For larger academic collections.?Diane G. Premo, SILS, SUNY at Buffalo
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Vagner Anabor
great book
3 of 3 people found the following review helpful.
the fewer legal restraints, the better
By Luc REYNAERT
In these essays, J.M. Coetzee analyzes thoroughly and attacks the role and the (mis)use of censorship in arts.
Taking Offense
State censorship is an inherently bad thing. The cure is worse than the disease.
`A censor pronouncing a ban, whether on an obscene spectacle or a derisive imitation, is like a man trying to stop his pen.s from standing.'
Lady Chatterley's Lover
LCL is a tale about the transgression of boundaries - sexual and sexualized social boundaries.
D.H. Lawrence wanted `the end of taboos, the end of dirty language, the end of dirty books.'
The Harm of Pornography (Catharine MacKinnon)
MacKinnon treats pornography as a political issue, not as a moral one. She sees pornography as an instrument of male power, not pleasure. For her, male desire is one of the avenues through which male dominance realizes itself.
She shows a `striking absence of insight into the desire as experienced by man.'
Her analysis is also parochial, based only on specific US situations.
Censorship and Polemic: Solzhenitsyn
The heroic battle of one man against an enormous censor bureaucracy (more than 70,000 men).
Osip Mandelstam and the Stalin Ode
Stalin and his apparatus castrated a generation of writers, robbing it from its political power and its power of historical witness.
Zbigniew Herbert and the censor
In the face of the paranoia of state censorship, Z. Herbert opted for the `silence' solution.
He chose to work with allegories, thereby defending the autonomy of art (the power of art to validate itself) and proving that poetry can give a vision of an ideal world.
South-African censorship
For the censor, the call for the end of censorship in the name of free speech is part of a plot to destroy the existing order. The censor has the right to take what steps are necessary to protect society.
Andr� Brink's device is Ars Longa: In the end, it is always the artist who wins, because one way or another truth will come out.
For Breyten Breytenbach, `censorship is an act of shame. It has to do with manipulation, power, and repression. For the writer to consent to being censored equals self-castration.
Erasmus: Madness and Rivalry
Erasmus disguised himself into a fool in order to be able to criticize the Catholic Church (The Praise of Folly). Coetzee's portrait shows us Erasmus as an independent and impartial individual, but therefore insulted from all sides: `I would rather die than join a faction'.
Coetzee's analysis is based on postmodernist theories. He shows us Lacan as a vitalist, an adept of Bergson's `acte gratuit' (`it is not at all necessary that the poet knows what he is doing; in fact, it is preferable that he doesn't know.') and Foucault as a romantic (`madness as a voice to contest reason').
J.M. Coetzee's book unmasks the real goal of censorship and the methods authors (try to) used to circumvent it. It is the work of a superb free mind.
A must read for all lovers of art, and specifically literature.
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